Charlotte Brontë, 1850.
Charlotte Brontë, 1850.
I’ve said it before, and I’ll say it again: Canberrans are so lucky to have the National Gallery of Australia. It’s one of the best galleries you’ll find anywhere, and we have some of the best special exhibitions.
At the moment, that special exhibition is Love & Desire – a collection of many of the world’s most famous Pre-Raphaelite works, visiting Canberra from all over (but mostly from the Tate Britain) for several months. We went to see it on Sunday, (and then we walked along the lake to the National Library for lunch on the terrace – it’s still really warm, considering it is mid-autumn here, as in summer-dress warm).
Something I didn’t learn until yesterday was how much William Morris stuff the gallery here actually owns.
Also, it was great to see some of the most famous Ballet Russes costumes out of storage and on display on the way in (we had the common sense to buy them all up before anybody else in the world realised their value. Now, if you want to see – say – Nijinsky’s most famous costumes, you have to come to Canberra!).
Here are a few of the famous works in the exhibition:
John William Waterhouse The Lady of Shalott 1888
John Everett Millais Ophelia 1851-52
William Holman Hunt The awakening conscience 1853
(This is supposed to be a Victorian mistress waking up to how she shouldn’t be living in sin!)
Ford Madox Brown The last of England 1864-66
(This is MUCH smaller than I always imagined it!)
Dante Gabriel Rossetti Ecce ancilla domini! (The Annunciation) 1849-50
(This one is amazing and before its time, as it depicts the Virgin Mary being told she will give birth to Jesus as a terrifying moment.)
Here’s a prank from the Victorian era:
An invitation to the fake “Washing the Lions” event at the Tower of London – an April Fools’ Day joke from the 1850s.
One I’ve been excited about for months now, Susan Meissner’s The Last Year of the War is out now.
Elise Sontag is a typical Iowa fourteen-year-old in 1943–aware of the war but distanced from its reach. Then her father, a legal U.S. resident for nearly two decades, is suddenly arrested on suspicion of being a Nazi sympathiser. The family is sent to an internment camp in Texas, where, behind the armed guards and barbed wire, Elise feels stripped of everything beloved and familiar, including her own identity.
The only thing that makes the camp bearable is meeting fellow internee Mariko Inoue, a Japanese-American teen from Los Angeles, whose friendship empowers Elise to believe the life she knew before the war will again be hers. Together in the desert wilderness, Elise and Mariko hold tight the dream of being young American women with a future beyond the fences.
Join Peg Patrick as he travels around Ireland in the footsteps of Saint Patrick. In this unique and meticulously researched book, children will be introduced to the true story of St. Patrick and the ancient sites where he lived and preached. A geotagged pilgrimage guide and instructions for making your own ‘Peg Patrick’ round out this innovative book that brings the story of St. Patrick to life.
Depending on your beliefs, you might want to take the assertation that this book is a “true story” with a grain of salt…
On the other hand, with St Patrick’s Day coming up tomorrow, how could I not review the story of Saint Patrick the Wooden Peg! What an absurd concept for a book, but a clever one.
Aimed at children (obviously), you get quite a lot of information mixed in with the religion, and the book finishes with a map and coordinates so readers can look up the real locations mentioned once they’ve finished reading.
Better than I expected.
Review copy provided by NetGalley.