Dark Angel’s 19th Anniversary

Anybody remember television show Dark Angel Because not only is today the nineteenth anniversary of its premiere, but the show was set in the future post-apocalyptic 2019 Jessica Alba James Cameron

Anybody remember television show Dark Angel? Because not only is today the nineteenth anniversary of its premiere, but the show was set in “the future”: post-apocalyptic 2019!

The late-Nineties and early 2000s were full of female-led shows, such as Buffy the Vampire Slayer, Alias etc. I feel like we were doing a better job in general with female characters back then than we are now that people are more outspoken about feminism. What happened?

(Though I could also argue that these days we’re fighting the idea women have to be fighters in order to be strong characters.)

Dark Angel premiered on the 3rd of October, 2000. Here is what Wikipedia has to say about it:

Dark Angel is an American cyberpunk television series that premiered on the Fox network on October 3, 2000. Created by James Cameron and Charles H. Eglee, it starred Jessica Alba in her breakthrough role. Set in 2019, the series chronicles the life of Max Guevara (Alba), a genetically enhanced super-soldier who escapes from a covert military facility as a child. In a post-apocalyptic Seattle, she tries to lead a normal life while eluding capture by government agents and searching for her brothers and sisters scattered in the aftermath of their escape. Dark Angel was the first and only series produced by the company Cameron/Eglee Productions, and was filmed in Vancouver at Lions Gate Studios.

A Buffy Remake?


When I first saw the news they are talking about remaking Buffy the Vampire Slayer, my first reaction was: can we please not?!

My second reaction: how about we come up with some new shows instead of ruining the old cult hits?!

It’s nothing new for Hollywood to recycle everything, but recently it seems they’ve gone mad on it. I mentioned Roswell before, but it’s not the only one. I mean… they’ve even remade silly MacGyver, with a man who looks like a child playing the lead. And then you have the possibly misguided reunion of the Downton Abbey crowd…

They’re giving Charmed the same remake treatment, too. Despite everyone’s crazy claims it was a feminist show, anything where the lead women make sexist “blonde jokes” every second episode is nothing of the sort, so I don’t care about that one.

But Buffy…? It was one of the best-scripted shows I’ve ever seen. In fact, we had to study it in our scriptwriting units at university.

Buffy was of its era. It was an important show that defined the 1990s. It also came at a time just before television started getting so sleek and high-tech that it started losing its humanity. I don’t want to see a fancier, updated Buffy.

Unfortunately now the show’s tainted with the discovery of exactly what a dickhead its creator, Joss Whedon, is. He’s not only not a feminist, but he spent years cheating on his wife – including with some Buffy cast members.

I just think that… leave Buffy alone! Come up with something different!

Watching The Americans

The Americans Matthew Rhys Keri Russell TV Show Russia Cold War KGB

You may not be aware that the 9th of May is the date of the massive Victory Day celebrations (as in victory over the Nazis) in the former USSR. This means lots of big weapons being paraded down the streets, people dancing, soldiers marching, and – now – lots of idol worship of Vladimir Putin.

I was in Russia around Victory Day a few years before the invasion of Ukraine, and the Putin-worship was shocking even then; I don’t want to know what it’s like now!

Anyway… I wanted to talk about the television show The Americans, which – even though it’s set in the 1980s – is so relevant now.

If you’ve not heard of it, it follows two Russian sleeper agents living fake lives as a suburban American couple while they do the Kremlin’s dirty work. It stars Keri Russell (who I like much better in this than in Felicity), and Matthew Rhys (who is a brilliant actor; he even played Mr Darcy!).

I do wish they’d cast some people who could actually pass for Eastern European, however. Even the people in the real case that partially inspires the series – people who were meant to be undercover – look TOTALLY Slavic to me (I’m Slavic!). These two leads? No.

It’s an odd show in that they’re the bad guys, but you sort of want them to win, as we see it all from their perspective.

It’s also interesting that they made Russell’s character the one more devoted to the cause, and Rhys the one who begins to question what they do.

Even more interesting is that the show was set during the Cold War because the producers didn’t think anyone would believe the Kremlin was up to no good in the present day (excuse me while I fall off my chair laughing!). This, even after ten sleeper agents were discovered dispersed through the USA in 2010.

The show is not perfect, but it’s fascinating. There is FAR too much sex. I don’t know why we have to see the two leads have sex at least once an episode, and then have sex with other people, and then also see all these other KGB agents screwing information out of unsuspecting Americans. It’s just gross.

It is also a lot more “action movie” than the reality, but I guess they had to give viewers a reason to watch!

However, the show is routinely nominated for major awards for a reason, and it is perhaps the most relevant thing on television right now (The Handmaid’s Tale is a challenger for that honour). It is also grounded in reality, with former CIA agents involved in its production.

Revisiting Old Books


I really need to catch up with my review books (did ANYBODY get anything done over Christmas? I sure didn’t!).

However, instead of catching up with new reads I’ve been heading back to books I read more than twenty years ago.


Who didn’t go through a Virginia Andrews phase? Most people I know hit that period somewhere around year seven, when reading things like Flowers in the Attic was considered adult and edgy (and really bloody incestuous!). I have a mountain of largely second-hand paperbacks by Andrews and the ghost writer who took over after her death – all family melodramas worthy of soap operas.

No idea why, but I’m rereading a few of these truly trashy books at the moment (spoiler: they’re nowhere near as good as I thought they were back in the 1990s!).

I think sometimes revisiting old books isn’t the best idea.